Agatha Christie had little-known role in ancient Nimrud

Agatha Christie had little-known role in ancient Nimrud

Her diligence and face cream cleaned Nimrud's most famous ivory. She captured the archaeological dig on celluloid and Kodak film, developing the prints in water painstakingly filtered from the nearby Tigris River.

And every day, after she balanced the books and arranged for the next day's meals, Agatha Christie sat down to write.

The British mystery writer's second husband, Max Mallowan, was an archaeologist — respected in his field, but with nowhere near the renown of his older wife. But Christie set aside her career for months each year to accompany Mallowan into the field.

Mallowan built his career on digs in the 1950s in Nimrud, the remains of the ancient Assyrian city that survived 3,000 years only to be blown into rubble by Islamic State group conquerors last year. And Christie, then in her 60s, was there to document his work, in photo and film.

Every winter, according to her grandson Mathew Prichard, "they disappeared into Iraq or Syria and returned in May or June. To her it was just as important as writing. Her role, and she was quite old-fashioned about this ... Her role in the 1950s was to go on these digs with her husband and help him with the photography and dealings with the local labor force," he said.

Famed for her detective characters Mrs. Marple and Hercule Poirot, Christie had a longtime fascination with archaeology that showed up in novels set in the Mideast, including "Death on the Nile" and "Murder in Mesopotamia."

This undated photo taken by mystery writer Agatha Christie shows statues of two Assyrian winged bull deities called lamassu stand at the entrance to Palace of Assurnasipal II at the ancient city of Nimrud in northern Iraq. Christie and her archaeologist husband also visited other sites in Iraq and neighboring Syria. Every winter, “they disappeared into Iraq or Syria and returned in May or June. To her it was just as important as writing,” says her grandson, Mathew Prichard. (Agatha Christie via AP)



People gather around the partially-unearthed statue of a lamassu, a great winged bull protective deity, in this undated photo taken by British mystery writer Agatha Christie at the ancient site of Nimrud in northern Iraq. The lamassus at the palace gates were among the works destroyed by IS militants in 2015. Christie’s grandson, Matthew Prichard, says she would be heartbroken by the destruction, saying if she and her husband Max Malloran, were alive to see it, “they would not have recognized the places where they had been and lived and worked.” (Agatha Christie via AP)

Christie's non-fiction book "Come Tell Me How You Live," about a series of digs in Syria in the 1940s, is testament to her love for adventure, travel and the ancient sites of civilization.

"Inshallah, I shall go there again, and the things that I love shall not have perished from this earth," she wrote in conclusion in 1944.

But seven decades later, one of her favorite places — Nimrud — is in danger as never before.

Islamic State fighters took over the site near Mosul in 2014, and in 2015 smashed the winged bulls guarding the entrance and blew up the Northwest Palace where Mallowan made his most significant discoveries. The site, though liberated last month from the extremists, is reduced to rubble, largely unguarded and vulnerable to looters.

A winged genie is depicted standing in front of a tree of life in the Palace of Assurnasipal II at the ancient city of Nimrud in northern Iraq in this 1950 photo taken by British mystery author Agatha Christie. In her 60s at the time, Christie travelled to the site repeatedly to help her archaeologist husband. She reassembled destroyed ivories, laying out hundreds of pieces on a table to pick through them. “Agatha was a passionate solver of jigsaw puzzles,” says British archaeologist Georgina Herrman. (Agatha Christie via AP)


This 1949 photo taken by British mystery author Agatha Christie shows a statue of a lamassu, a winged bull from Assyrian mythology who guarded the royal court from evil, at the ancient site of Nimrud, near modern day Mosul, Iraq. Christie had a little-known link to Nimrud: She accompanied her husband, archaeologist Max Mallowan, as he excavated the onetime capital of the Assyrian Empire, and she assisted by piecing together some artifacts and chronicling the dig in photos and film. (Agatha Christie via AP)

Among Mallowan's finds were a series of ivories, including one of a woman's face dubbed the Mona Lisa of Nimrud, which was extracted with great difficulty from a muddy well.

"She spent hours drying it and cleaning it off, with her face cream," said Georgina Herrmann, a British archaeologist who worked there with Mallowan.

Other ivories were discovered smashed, and Christie delighted in assembling them, Herrmann said.

"Agatha was a passionate solver of jigsaw puzzles and crossword puzzles. She laid all these pieces out — there must have been hundreds of them — and put them together."
Christie and Mallowan would be dismayed to learn what has become of the site, according to Prichard, who recalled his grandfather teaching him the basics of cuneiform writing as a boy.

"To say they would have thought it was a tragedy is an understatement," he said. "If my grandparents could somehow be alive again and see the newspapers for a week, they would not have recognized the places where they had been and lived and worked."

Associated Press photographer Alastair Grant in London contributed to this report.

Text from the AP news story, Agatha Christie had little-known role in ancient Nimrud, by Lori Hinnant.

Follow AP photographers on Twitter

Written content on this site is not created by the editorial department of AP, unless otherwise noted. 

Nat Castañeda is an interdisciplinary visual artist based in Brooklyn, New York. A California native, Castañeda works primarily in video and collage, with an emphasis on tactile intimacy with her materials remaining an important aspect of all her projects. Common issues in Castañeda’s work are the conflating of iconography and pornography, the questioning of traditional gender binaries, and the role of technology within personal narratives. She received her MFA from the School of Visual Arts and has shown at venues such as El Museo del Barrio and Electronic Arts Intermix. In addition to her art practice, Castañeda currently works at The Associated Press where she leads a team that curates AP's online archive of historic and contemporary photojournalism. Castañeda’s photography has appeared in the New York Times,U.S. News & World Report and USA Today.