San Fermin, a fiesta of bull runs and revelry

For some, the day at Pamplona's San Fermin festival begins with an adrenalin-pumping bull run through narrow streets. For others, the runs are the exhilarating climax to an all-night street-party. With the launching of the "chupinazo" firework rocket July 6, Pamplona erupts into a nine-day, non-stop festival that attracts tens of thousands of tourists from around Spain and the world each year.

Many come to test their bravery and speed by dashing with six fighting bulls along a narrow 930-yard (850-meter) course from a holding pen to the city's bullring. The bulls are killed by professional matadors in bullfights each afternoon of the festival.

Ten people, including four Americans, were gored in this year's festival in Pamplona, but no one was killed. Dozens were injured in falls — or by being trampled by beasts or fellow runners — during the two-minute sprints. Fifteen people have died from gorings since 1924.

The festival, named after the northern city's patron saint, dates back to the late 16th century. It was immortalized in Ernest Hemingway's 1926 novel "The Sun Also Rises."


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Nat Castañeda is an interdisciplinary visual artist based in Brooklyn, New York. A California native, Castañeda works primarily in video and collage, with an emphasis on tactile intimacy with her materials remaining an important aspect of all her projects. Common issues in Castañeda’s work are the conflating of iconography and pornography, the questioning of traditional gender binaries, and the role of technology within personal narratives. She received her MFA from the School of Visual Arts and has shown at venues such as El Museo del Barrio and Electronic Arts Intermix. In addition to her art practice, Castañeda currently works at The Associated Press where she leads a team that curates AP's online archive of historic and contemporary photojournalism. Castañeda’s photography has appeared in the New York Times,U.S. News & World Report and USA Today.